![revoice 3 pro customer service revoice 3 pro customer service](https://i.ytimg.com/vi/OVEg-WLgPi8/maxresdefault.jpg)
The only visual feedback is whether the note resides nearer the top or the bottom edges of the larger pitch area.
![revoice 3 pro customer service revoice 3 pro customer service](https://pae-web.presonusmusic.com/uploads/products/media/images/RVP_4_1_screenshot_2_big.jpg)
Interestingly, the notes don’t have absolute pitch read out, unlike VariAudio’s.
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It also has some ergonomic advantages (for example, the non-pitched sounds are automatically identified and excluded from pitch shifting toggling between “segmenting” and “pitch/tune” changes doesn’t require tabbing “straighten pitch” is done right on the waveform, no more aiming for that thin little strip on the left side of the page), as well as a little clunkiness (can’t mouse to the next note, no key commands for changing the note’s pitch). When tuning up by a 5th (i.e., from key of C to key of G), the difference was remarkable. For example, pitch-shifting a vocal line up 200 cents was “almost” artifact-free in RVP3, not even close to that with VariAudio (raspy voice being tested). My impression, not finalized yet, is that the engine is better-sounding than VariAudio.
![revoice 3 pro customer service revoice 3 pro customer service](https://i1.wp.com/www.strongmocha.com/wp-content/uploads/2021/07/revoice-pro-summer-promo-2021-V2-1080x1080-1.jpg)
I guess after confirming the audio quality is preserved on processed and untuned tracks, I’ll see if there is any difference when tuned tracks are processed.ĭid some tuning work with RVP3 this weekend. It also does pitch/tuning changes, but I don’t see myself getting into that too much given VariAudio 2.0.Īll this was based on some simple vocal lines I sang (overdubs to make a major chord), without any tuning done beforehand. I haven’t had a chance to play with that too much, just wanted to initially make sure it worked OK. There are bells and whistles regarding ability to quantitatively change (in the doubled track) formants (up or down), pitch, timing, panning, etc., along with the ability to make those changes dynamic and random within a user-definable limit (if I understand the interface correctly after my brief experience). It was too late for me to make any detailed judgement regarding audio quality of the processed track, but nothing jumped out at me as being overtly nasty.Īlso super easy to do doubling. The timing adjustment algorithm is very effective, and also is magic as far as how quick and easy it is to align two vocal tracks. Update: Downloaded the demo last night (my first iLok account, gulp). Here’s a review of a much older version of RevoicePro in Sound on Sound:
#Revoice 3 pro customer service trial
RevoicePro 2.5’s feature set is killer-sounding, and it’s for that reason that I’m going to download the free trial to make sure the sonic quality of the processed audio is as good as it sounds in the youtubes. (which can sound bad when stretched/compressed/tuned) are excluded?